• Fabrication
  • Fabrication
  • Hitting the button to light up Izar at the unveiling.
  • Izar lit at unveiling.
  • Izar, photo by Alexander Kravets
  • Izar at night, photo by Alexander Kravets



With its soaring lines and gleaming metal surface, Izar is well suited to its site: at the entrance to the airport serving Newport News and the surrounding community. So, too, is the story behind it: Izar is an occupant of the sky, one of the stars in the constellation called Bootes, the form of a man with one arm raised, holding, perhaps, a scythe or reins. Among the stories associated with this figure is that he drives the bears of the nearby constellations Ursa Major and Ursa Minor around the Pole Star, Polaris.

To appreciate Izar, it helps to understand how Bruce White works. He likes to start with a sheet of paper or thin metal and twist, turn and manipulate it until something plain and flat becomes something complex and three-dimensional. White describes this process as seeing something new and unexpected in the commonplace. In the case of Izar, the flat shape became a large parallelogram, split vertically into six connected panels that are arrayed in a gentle twist around a central axis. The result is an interplay of planes and spaces, made more complex still by the surface tracings and the shimmering show they put on as the light changes from day into night.

Audio Tour: Hear White tell you about his piece

photo by Lois Fronkier

Artist: Bruce White

Details: Stainless steel, 30′ high. Made in Illinois. Installed in 2007.
Site: Newport News/Williamsburg International Airport entrance, Jefferson Avenue and Bland Boulevard

About The Artist: Bruce White

In Bruce White’s studio, aesthetic sensibility meets engineering’s pragmatism, science encounters art, tradition infuses modernity, and the result is the surprise, the unexpected, the new and unforeseen connection that White discovers — or reveals. Ideas take dramatic, expressive shapes that delight viewers across the country.

Many of White’s works begin as sheets of metal or paper that he cuts and twists and manipulates until they reveal the three-dimensional thing of beauty and meaning that the artist’s eye can see within the flat plane. Then he translates the resulting idea into a sculpture of monumental scale, working in a studio that is, necessarily, on the scale of an industrial warehouse.

White earned his undergraduate degree at the University of Maryland and master’s and doctoral degrees at Columbia University. He has taught at a number of universities and colleges, including Florida State, Adelphi, Queens College and, for two decades, Northern Illinois University. He has strong ties to the nearby sculpture hub of Chicago, where he has exhibited and some of his works are installed. Other White pieces can be found at the University of Illinois at Urbana, University of Alabama, Wayne State University, Iowa State University, Florida State University, Appalachian State University, Southwest Illinois College, Central Lakes College and Florida Atlantic University as well as at the Dalsland Museum in Sweden and in public spaces and private collections across the United States.

White’s website: brucewhitesculpture.com