• Detail
  • Detail
  • Lenape Gate, photo by Alexander Kravets

Lenape Gate

HARRY GORDON

This massive work is typical of Harry Gordon’s work in several ways, beginning with the choice and handling of the material, in this case red granite. Gordon explains: “My work and the ideas behind it are tied very closely with the material it is constructed of — I have chosen traditional, ancient mediums with which to express myself. I try not to manipulate my materials beyond their natural state, but imbue them with a sense of dignity and grandeur to release their spirit.”

Lenape Gate also evokes other Gordon works in its composition, with two posts topped by a third element, a kind of lintel. The sculptor suggests a way of looking at it: “When I incorporate several elements together to construct a sculpture, I am looking at the way they relate to each other, and ultimately how they work together as a whole. A tilt here and a cut there can change the attitude of the piece and gives each one its own personality.”

The Lenape are Native American peoples of the American Northeast.

Audio Tour: Hear Gordon tell you about his piece

Harry-Gordon1

Artist: Harry Gordon

Details: Red granite, 12′ high. Made in New Jersey. Installed 2004.
Site: Emily Dickinson Square, Port Warwick



About The Artist: HARRY GORDON

Looking at the massive wood and stone works that Harry Gordon creates today, it’s not immediately apparent that his early training steeped him in sculpture’s traditional roots and their emphasis on the human figure. That is … until you look very closely. “I started my sculpture career studying with Boris Blai, a very classical, figurative beginning,” for Blai had trained in Rodin’s studio, Gordon explains. “Although my materials and forms have changed a great deal over the years, it is still possible to find remnants of the figure in my work,” including the many works that stand on two vertical elements (legs) and incorporate another element on top (the body or arms).

By the 1990’s Gordon was working extensively in granite, and much of that work, like Newport News’ Lenape Gate, incorporates figurative or post-and-lintel elements. These ancient forms are rendered in materials that are only minimally worked, to preserve the innate qualities and dignity of their shape, texture and mass.

Gordon’s work is in the collection of museums, art centers, sculpture parks, universities, schools, municipalities and private collectors across the nation, and he maintains a busy schedule of exhibitions in galleries and art and sculpture shows.

Gordon’s involvement with sculpture takes many forms. In addition to being a working sculptor, he is a teacher of sculpture, a curator of sculpture exhibitions and collections, and a specialist in sculpture transportation and installation. (He has installed most of the sculpture in the collection of the Newport News Public Art Foundation). He earned a Master of Fine Arts from Rutgers University and a Bachelor of Fine Arts from Syracuse University, both in sculpture. Today, he lives and works in Lambertville, New Jersey.

Gordon’s website: gordonsculpture.com